Thenessgroup

Flora 717 is born to a life of drudgery as a sanitation worker, the lowest caste in a walled, fascist Queendom where only a lucky few foragers and drones get to see the outside world. She's an outsider due to her abilities - she can literally talk, unlike the rest of her caste, she is intelligent and questioning, and she has ideas above her station - and if the guards or the Fertility Police don't stop her, she just might be the cause of a revolution one day. Yes, this is every YA dystopian novel scenario ever, rolled into one book - but Flora 717 is a bee, and just for once the scenario actually makes sense. Laline Paull's novel follows in a great tradition of anthropomorphization - Animal Farm, Watership Down. There are one or two flights of fancy - the chambers of the beehive have doors and scent-coded floor panels, the police have visors and gauntlets, and the bees have a jet engine in their abdomen. This last might be a reference to the old idea of scientists being con...

So I've read The Hunger Games, Divergent, Delirium, Wool, Inside Out, The Bone Season, and recently Laline Paull's novel "The Bees." For the most part I've enjoyed them - but how do they stack up against the work of classic dystopian writers such as George Orwell or Suzy McKee Charnas? What's not missing is some quality writing, with strong characters and intense settings. I think the opposite is true, this is a real strength of the genre right now and it's very clear , if only from the sales figures, that these books have been ensnaring and captivating new readers. So what's missing? 1. Originality While there are a lot of original concepts in all of the above books, there are also a lot of unoriginal ones: like the walled city, the fascist police, the rigid caste system, the unfair division of wealth, the outcast hero and of course the love affair that spans all boundaries. It all makes a good literary drinking game to play at your book group, but ...