Tendril Is The Night [Review: The Void]

When policeman Daniel Carter finds a wounded man in the road and drives him to a nearby hospital, he and the other inhabitants find themselves trapped, surrounded by monks with triangular hoods and at the mercy of whatever is already inside.

The Void is a Canadian horror movie, made on an Indiegogo budget and released in 2016. It's an original story but heavily inspired by the works of H.P. Lovecraft, demonstrating everything that makes a good Lovecraft horror. It's not just about the tentacles, you know:

Life from another dimension
Science confounded by the supernatural
Contact leads to insanity
A cult of murderous human worshippers
And yes, it's still mostly about the tentacles...

Performances are great, particularly from Aaron Poole and Kathleen Munroe. The film relies heavily on special effects rather than visual effects for the creature scenes, these are impressively gruesome and a lot of fun, channeling John Carpenter's The Thing and other classics. I have nothing against CGI. Nothing! But I have great respect for the art of the special effect and it can lead to a film with quite a different look and feel, something I also found when I watched the indie sci-fi film Hunter Prey, reviewed here.

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Meet The Parents [Review: Get Out]

Photographer Chris (Daniel Kaluuya) is travelling with his girlfriend Rose (Alison Williams) to meet her parents for the first time, and is anxious about how they will react to an interracial relationship. On arrival he is greeted warmly and his fears appear groundless - but the parents have their own eccentricities, and the more he gets to know the Armitage family, the more he becomes convinced that there is something strange and sinister afoot at their household. Get Out is a well-received horror movie from 2017, directed by Jordan Peele. It has won several awards including the Oscar for best screenplay - and well deserved. This is a clever film. The theme of racial intolerance and stereotyping is explored intelligently to play all sorts of psychological games with the audience, while subtle clues are incepted to pave the way for a horror twist in the final act. The movie opens with a subversion of a stereotype - a black person becoming increasingly nervous as he walks through a whi...

It only takes a minute girl [Review: Downsizing]

A Norwegian scientist has found a way to shrink humans to approximately 12 inches in height, meaning they have a much smaller environmental impact and incidentally can live a life of luxury on the cheap – but it’s irreversible. Occupational therapist Matt Damon and his wife Kristen Wiig are the couple trying to decide whether moving to a small community is an opportunity worth taking. There are plenty of movies about shrinking people –Fantastic Voyage, InnerSpace, Honey I Shrunk The Kids, and of course the various appearances of Ant-Man. In all of these movies the shrinking effect is reversible and the tone tends to be a mixture of action and comedy. Downsizing takes a different approach, the key to which is the one-way procedure which gives miniaturization a whole new meaning. This is highlighted by the shrinking process – no instantaneous shrink ray or Ant-Man suit but a prolonged and demeaning medical procedure involving removal of hair and teeth and injection with a special shrink...

Snarl And The World Snarls With You [Review: The Snarling]

A film crew set up in a quiet village and start making their zombie movie, to the amusement of the locals - but a series of gory murders, committed during the full moon, draws the interest of the local police. The Snarling was first screened at Horror-On-Sea in 2016 and has been brought back for a new screening in 2018 by popular demand. It's a well written, well produced comedy horror in the vein of Shaun of the Dead - light on gore, although there are some bloody moments, and heavy on jokes. The script features many colourful and funny characters amongst the film crew, the locals and the police - the fool archetype recurs in all three groups and there's a constant stream of jokes based on misunderstandings that is just to my taste. There are also plenty of visual gags including some extremely witty editing choices. Laurence Saunders stands out for playing two very different comedy characters - Greg, the male diva actor, and Les, the village fool who happens to be his doppelga...

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