Skip to main content

Printer Jam [Review: Hotel Artemis]

Hotel Artemis is a noir-ish crime thriller movie based around a concept - the secret hospital for criminals of the near future, a location - the art-nouveau-décor hotel that hides the hospital, and a character - the enigmatic Nurse (Jodie Foster). The Nurse runs the hospital, sees to the patients, supervises the surgical robots and enforces the hospital rules with only her one faithful orderly Everest (Dave Bautista) for backup.

The rules of this rather unusual establishment appear on a poster in the hallway. The first rule is "While on the premises, no fighting with or killing other patients" which seems pretty reasonable. Despite the rules there is a healthy amount of bloody violence throughout the film. 

Of course, whenever a movie spells out a set of rules, you can expect that someone is going to try to break them. Imagine how much shorter Gremlins would have been if no-one had fed them after midnight... in any case, this is a hospital that caters exclusively to rule-breakers so it's a little overoptimistic to expect them to play nice.

In terms of zeitgeist Hotel Artemis is right on the money with subplots revolving around 3D-printed organs and other items. This is only the near future so 3D printing is still a flawed technology. There is one scene where a printer jams - you will remember this scene.

I have little to criticise and there are a lot of good things about this movie. The atmospheric setting and Jodie Foster's performance stand out particularly. The plot is slightly confused - instead of a single plot driving the whole film, there are three intertwined subplots involving different cast groups, each with different themes although all revolve around Jeff Goldblum's crime boss in some way. Also the dialogue varies - sometimes genius, sometimes a bit melodramatic. However I enjoyed this film from start to finish and would highly recommend it.

Comments

Popular posts from this blog

Do Androids Cry Over Electric Sheep [Review: Blade Runner 2049]

What stands out about the world of Blade Runner 2049? Firstly that it's really, really FUBAR. The pollution smog is just the start of it - Los Angeles an expanded city surrounded by favelas and then giant dykes keeping out the rising sea level, another famous American city a radioactive wasteland, Wall-E style refuse dumps, children extracting metals from old circuitry in giant orphanages, the human population fed by millions of acres of protein-maggot farms. The Off World Colonies are a distant dream for a lucky few. And it doesn't appear to be a great time for women generally - more on that story later. Secondly, give Gosling's character a helmet and this would be Judge Dredd. The LA setting is completely Mega City One (the cheap-n-cheerful plastic version from the 2000AD comics, not the boring Stallone movie version). Gosling might not have Dredd's stature but he's the same no-nonsense dispenser of justice, at least when it comes to running down old Nexus 8 repli...

The Director's Cut [Review: Egomaniac]

Struggling horror-movie obsessed filmmaker Catherine Sweeney has a dream - to bring to life her Warm Bodies-style zombie romcom. She has the idea, now all she needs is a script, a cast, a producer, funding, a crew and a camera. Her first taste of reality comes when she draws the attention of a big player willing to come on board as executive producer and provide seven-figure funding - as long as she can write a talking dog into the script. Egomaniac, screened at Horror-On-Sea 2018, is a bittersweet black comedy about the experience of compromising to get the movie made - with a particular emphasis on the treatment of women in the industry. It was made in 2016 but with the Hollywood scandals breaking in the past few months it's deeply relevant right now, and perhaps can serve as a reminder that far from being the clean, happy alternative to Hollywood, the indie world is the Wild West of moviemaking. Catherine Sweeney, played by the real-life director Kate Shenton, carries the film w...

Bright Eyes [Review: Humans episode 3]

I'm enjoying Humans more with each episode. I like the easy Asimov references. I like the way different characters get to show new depths or aspects of their personality each week - and the way, each week, we get a more disturbing version of what synths can do, whether limited to their original programme like NHS droid Vera (Rebecca Front) or whether illegally modded or freed like Niska (Emily Berrington). Last week Niska discovered she could kill - this week she makes her bid for freedom and starts to explore the world. It turns out she has some scruples, or at least limits on what she's prepared to do. Emily Berrington as Niska Anita (Gemma Chan) is still the central character. It's becoming clear how good she is at lying and manipulating her owners - but she's different from the other synths, and when Mattie (Lucy Carless) tries to hack into her system, just for a few seconds we get a hint of what she really is. It's compelling viewing, gradually building into a ...