Skip to main content

Hot Chip [Review: Upgrade]

Score: 3 out of 5 stars
All movies reviewed on the Sci-Fi Gene blog are given a score of 3 out of 5 stars



Grey Trace (played by Logan Marshall-Green, and yes Grey Trace is a name) is a car mechanic in the near future. This is something of a rarity when most people seem to be digital workers, but he fills a niche repairing and upgrading retro cars belonging to rich collectors. He and his wife Asha (Melanie Vallejo) return one such car to reclusive billionaire programmer Eron Keen (Harrison Gilbertson). Eron, Eron… where have I heard a name sounding like that belonging to a rich and eccentric tech mogul? No, I musk be mistaken. Anyway, on their way home Grey and Asha's self-driving car is hacked and diverted to a deserted scrapyard where they are attacked by a gang of thugs, leaving Asha dead and Grey paralysed and left for dead. He is mysteriously rescued by Eron who offers him a  cure for paralysis in the form of STEM, an experimental AI chip implanted into his spine. When the chip wakes up and starts talking to him things get a bit weird.

With it's near-future setting and speculation about human-computer interfaces and our dependence on technology, Upgrade may look like an indie science-fiction movie. Don't be fooled. This is actually a well-developed setting and backstory for what is really a violent martial arts thriller about Grey's quest for revenge. When taking on the gangsters Grey gives STEM temporary consent to take over his body and execute impossibly deadly moves - the result is a more lethal and messy version of Jackie Chan's The Tuxedo.

Upgrade is a great example of a movie that is deliberately not a blockbuster. The CGI effects are content to set the scene, add to the darkness of the atmosphere, and then sit back and appreciate the nicely choreographed action with everyone else rather than trying to hog the limelight. The fighting and action scenes do hot up as the plot progresses and Grey comes up against tougher and tougher opponents, but there's no CGI-laden boss battles, everything stays small scale and human, and it's this perfect balancing act that earns Upgrade the ultimate accolade of three Sci-Fi Gene stars.

Comments

Popular posts from this blog

Meet The Parents [Review: Get Out]

Photographer Chris (Daniel Kaluuya) is travelling with his girlfriend Rose (Alison Williams) to meet her parents for the first time, and is anxious about how they will react to an interracial relationship. On arrival he is greeted warmly and his fears appear groundless - but the parents have their own eccentricities, and the more he gets to know the Armitage family, the more he becomes convinced that there is something strange and sinister afoot at their household. Get Out is a well-received horror movie from 2017, directed by Jordan Peele. It has won several awards including the Oscar for best screenplay - and well deserved. This is a clever film. The theme of racial intolerance and stereotyping is explored intelligently to play all sorts of psychological games with the audience, while subtle clues are incepted to pave the way for a horror twist in the final act. The movie opens with a subversion of a stereotype - a black person becoming increasingly nervous as he walks through a whi...

It only takes a minute girl [Review: Downsizing]

A Norwegian scientist has found a way to shrink humans to approximately 12 inches in height, meaning they have a much smaller environmental impact and incidentally can live a life of luxury on the cheap – but it’s irreversible. Occupational therapist Matt Damon and his wife Kristen Wiig are the couple trying to decide whether moving to a small community is an opportunity worth taking. There are plenty of movies about shrinking people –Fantastic Voyage, InnerSpace, Honey I Shrunk The Kids, and of course the various appearances of Ant-Man. In all of these movies the shrinking effect is reversible and the tone tends to be a mixture of action and comedy. Downsizing takes a different approach, the key to which is the one-way procedure which gives miniaturization a whole new meaning. This is highlighted by the shrinking process – no instantaneous shrink ray or Ant-Man suit but a prolonged and demeaning medical procedure involving removal of hair and teeth and injection with a special shrink...

Snarl And The World Snarls With You [Review: The Snarling]

A film crew set up in a quiet village and start making their zombie movie, to the amusement of the locals - but a series of gory murders, committed during the full moon, draws the interest of the local police. The Snarling was first screened at Horror-On-Sea in 2016 and has been brought back for a new screening in 2018 by popular demand. It's a well written, well produced comedy horror in the vein of Shaun of the Dead - light on gore, although there are some bloody moments, and heavy on jokes. The script features many colourful and funny characters amongst the film crew, the locals and the police - the fool archetype recurs in all three groups and there's a constant stream of jokes based on misunderstandings that is just to my taste. There are also plenty of visual gags including some extremely witty editing choices. Laurence Saunders stands out for playing two very different comedy characters - Greg, the male diva actor, and Les, the village fool who happens to be his doppelga...