Skip to main content

Google's Asimov-Compliant Cars

BBC News Technology reports here on an interesting feature of Google's self-driving cars: they are programmed to break the speed limit in certain circumstances. If surrounding cars are speeding, the Google car may deduce that driving below the limit would be unsafe and so accelerate by up to 10mph to match the other cars.

This is an example of an autonomous robot following Asimov's First and Second Laws of Robotics: obeying the laws given to it by human beings, except where such orders would allow human beings to come to harm.

There's nothing in the article about the Third Law though. Would an unoccupied Google car choose to drive itself off the road if it was the only way to avoid a collision? And what would the same car do if it were carrying passengers, or if there were also a risk of hitting pedestrians? I wonder if we are really ready for an autonomous robot that can calculate the lesser of two evils.

The Three Laws appear throughout Asimov's many Robot novels and short stories - they're a clever framework for exploring and writing about human moral and ethical dilemmas. In the short story "Evidence" robot psychologist Susan Calvin (one of science fiction's greatest characters) spells out the links to human morality. Interesting that we are now building robots that are so complex that there is a need to consider robot ethics.
Labels:

Comments

Post a Comment

Popular posts from this blog

I've Got A Brand New Alien Harvester [Review: Evil Aliens]

Sometimes you need to turn your brain off and just watch something stupid and bloody... Evil Aliens is a comic horror film from 2005 starring Emily Booth as a cynical TV journalist and featuring Red Dwarf's Norman Lovett sadly only in a minor role. Booth and her crew are sent to investigate an alien abduction story on an isolated Welsh farm, accompanied by an eccentric UFO expert played by Jamie Honeybourne. It soon becomes clear that the aliens are somewhat hostile, and the film progresses into a series of close encounters of the messy kind. This film is an unashamed gorefest, and it's very clear the budget has been spent mainly on realistic blood-and-guts effect shots which are detailed, delightfully inventive and utterly gratuitous. Everything else is cheaper - the script is perhaps not as fine tuned as it could be, the aliens appear to have bought cheap Predator costumes on eBay and rendered their spaceship CGI on Microsoft Paint. The acting is all hammed-up melodrama but i...
Post a Comment
Read more

Boy You Turnin' Me [Review: Upside Down]

Adam and Eden, the hero and heroine of French film “Upside Down”  are star-crossed lovers, the poor boy and the rich girl. Just like Romeo and Juliet, Laura and Alec or Megashark and Giant Octopus, they live in different worlds – no, they literally live in different worlds, one suspended above the other and each with its’ own gravity.  When Adam (Jim Sturgess) last saw Eden (Kirsten Dunst) she was falling upwards towards her own world and to her death.  Years later, when Adam discovers that Eden is still alive and working for Transcorp, a mysterious company whose offices link the two worlds, he comes up with a crazy plan to win her back. Adam and Eden strive to escape the limitations of their societies and geometries, so Upside Down is Science Fiction . “Upside Down” tells a simple and rather traditional story of love across the class divide, with a crude and obvious use of metaphor. Good performances from Sturgess and Dunst can’t cover over the lack of depth in the writ...
Post a Comment
Read more

Bright Eyes [Review: Humans episode 3]

I'm enjoying Humans more with each episode. I like the easy Asimov references. I like the way different characters get to show new depths or aspects of their personality each week - and the way, each week, we get a more disturbing version of what synths can do, whether limited to their original programme like NHS droid Vera (Rebecca Front) or whether illegally modded or freed like Niska (Emily Berrington). Last week Niska discovered she could kill - this week she makes her bid for freedom and starts to explore the world. It turns out she has some scruples, or at least limits on what she's prepared to do. Emily Berrington as Niska Anita (Gemma Chan) is still the central character. It's becoming clear how good she is at lying and manipulating her owners - but she's different from the other synths, and when Mattie (Lucy Carless) tries to hack into her system, just for a few seconds we get a hint of what she really is. It's compelling viewing, gradually building into a ...
Post a Comment
Read more