They're already here! [Podcast Round-Up]

To celebrate the eventual take-over of the world by the pod people, two science-fiction commentary podcasts to listen to while you wait for your murderous clone to emerge...

Electric Dreams is Channel 4's anthology of Philip K. Dick short stories adapted for TV. I've blogged about the first two episodes, The Hood Maker and The Impossible Planet, here and here. The Electric Dreams Pod is an unofficial fan podcast hosted by Wayne Henderson and Steve Salyer. The first podcast, naturally enough, is a review of The Hood Maker. The hosts set a laid-back pace and this is a friendly, approachable 'cast not trying to prove anything or score any points. What they have to say though is interesting - without deconstructing the episode, they've given it a lot of thought. In particular their comments about the backstory really made me think about the episode again. If this is the future, why is everyone relying on typewriters and internal combustion? There are actually clues to the backstory in some scenes - for example piles of laptops in the police offices that are clearly no longer in use.

The Functional Nerds are two podcasters, Patrick Hester and John Anealio (of Steampunk Girl fame) reviewing science fiction in its many forms and formats, with a major focus on books, and interviewing authors along the way. They've been broadcasting for a long time and their back catalogue includes some great interviews. The recent Episode 333 features sci-fi journalist Annalee Newitz, one of the founders of io9.com, talking about her debut science fiction novel Autonomous.

I will be writing further blogs about science-fiction related podcasts, whether fiction-based or commentary, over the next few weeks. I have some shiny things to share and discuss, but suggestions and leads are also welcome, particularly about podcasts that have been recently released or are in the pipeline.

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I've Got A Brand New Alien Harvester [Review: Evil Aliens]

Sometimes you need to turn your brain off and just watch something stupid and bloody... Evil Aliens is a comic horror film from 2005 starring Emily Booth as a cynical TV journalist and featuring Red Dwarf's Norman Lovett sadly only in a minor role. Booth and her crew are sent to investigate an alien abduction story on an isolated Welsh farm, accompanied by an eccentric UFO expert played by Jamie Honeybourne. It soon becomes clear that the aliens are somewhat hostile, and the film progresses into a series of close encounters of the messy kind. This film is an unashamed gorefest, and it's very clear the budget has been spent mainly on realistic blood-and-guts effect shots which are detailed, delightfully inventive and utterly gratuitous. Everything else is cheaper - the script is perhaps not as fine tuned as it could be, the aliens appear to have bought cheap Predator costumes on eBay and rendered their spaceship CGI on Microsoft Paint. The acting is all hammed-up melodrama but i...

Bright Eyes [Review: Humans episode 3]

I'm enjoying Humans more with each episode. I like the easy Asimov references. I like the way different characters get to show new depths or aspects of their personality each week - and the way, each week, we get a more disturbing version of what synths can do, whether limited to their original programme like NHS droid Vera (Rebecca Front) or whether illegally modded or freed like Niska (Emily Berrington). Last week Niska discovered she could kill - this week she makes her bid for freedom and starts to explore the world. It turns out she has some scruples, or at least limits on what she's prepared to do. Emily Berrington as Niska Anita (Gemma Chan) is still the central character. It's becoming clear how good she is at lying and manipulating her owners - but she's different from the other synths, and when Mattie (Lucy Carless) tries to hack into her system, just for a few seconds we get a hint of what she really is. It's compelling viewing, gradually building into a ...

Boy You Turnin' Me [Review: Upside Down]

Adam and Eden, the hero and heroine of French film “Upside Down” are star-crossed lovers, the poor boy and the rich girl. Just like Romeo and Juliet, Laura and Alec or Megashark and Giant Octopus, they live in different worlds – no, they literally live in different worlds, one suspended above the other and each with its’ own gravity. When Adam (Jim Sturgess) last saw Eden (Kirsten Dunst) she was falling upwards towards her own world and to her death. Years later, when Adam discovers that Eden is still alive and working for Transcorp, a mysterious company whose offices link the two worlds, he comes up with a crazy plan to win her back. Adam and Eden strive to escape the limitations of their societies and geometries, so Upside Down is Science Fiction . “Upside Down” tells a simple and rather traditional story of love across the class divide, with a crude and obvious use of metaphor. Good performances from Sturgess and Dunst can’t cover over the lack of depth in the writ...

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